{"id":8476,"date":"2016-09-22T07:00:45","date_gmt":"2016-09-22T04:00:45","guid":{"rendered":"http:\/\/blog.erm.ee\/?p=8476"},"modified":"2016-09-22T18:05:40","modified_gmt":"2016-09-22T15:05:40","slug":"ajalooliste-mannekeenipeade-restaureerimine","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=8476","title":{"rendered":"Ajalooliste mannekeenipeade restaureerimine"},"content":{"rendered":"
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Tekst: Mariliis Vaks, konservaator<\/em><\/p>\n

Konservaatori-restauraatori t\u00f6\u00f6 eeldab pidevat valmisolekut uute materjalide ja probleemidega tegelemiseks. Enamasti tegelen muuseumis puitesemetega, kuid \u00fchel p\u00e4eval sattusid minu lauale kolm korrastamist vajavat kipspead. Rahustav oli seejuures teada, et need ei ole nn numbri all, seega tohib nendega pisut rahulikumalt tegutseda.<\/p>\n

\"315493_erm_fk_1052_34\"<\/a>

\u00c4ksi khk rahvar\u00f5ivais naine (mannekeen) Foto: Eduard Selleke (ERM Fk 1052: 34)<\/em><\/p><\/div>\n

Eellugu<\/b><\/p>\n

Need kipsist mannekeenide pead p\u00e4rinevad kunagiselt ERMi p\u00fcsin\u00e4ituselt, mis avati 18. detsembril 1927 Raadi m\u00f5isah\u00e4\u00e4rberis. Toona oli klaaskappides esindatud 60 rahvariietes mannekeeni, millele olid pead valmistanud soome kunstnik Emil Fil\u00e9n ja eesti skulptor Anton Starkopf. Viimane oli selleks v\u00f5tnud maskid elavatelt inimestelt. Mannekeene peeti ekspositsiooni t\u00f5eliseks uhkuseks. N\u00e4od p\u00e4lvisid kiitust ja leiti v\u00e4ga elava inimese sarnased olevat. (Eesti Rahva Muuseumi 100 aastat<\/i>, Tartu 2009, lk 143)<\/p>\n

N\u00e4iteks v\u00f5ib vasakpoolsel fotol n\u00e4ha Eduard Sellekese j\u00e4\u00e4dvustust \u00c4ksi khk rahvar\u00f5ivais mannekeenist.<\/p>\n

Pead elasid keerulised ajad \u00fcle Veski tn maja p\u00f6\u00f6ningul, kus nende k\u00e4ek\u00e4igu kohta eriti palju teada ei ole. Seoses uue maja avamisega k\u00fcpses plaan m\u00f5ningaid neist v\u00e4hemalt ajutiselt ka uues majas n\u00e4idata. Nii v\u00f5ibki alates 1. oktoobrist lisaks kahele p\u00fcsin\u00e4itusele leida v\u00e4ikese \u00fclevaate muuseumi ajaloost \u201eEesti Rahva Muuseumi lugu\u201d, mille jaoks pead restaureeritud saavad.<\/p>\n

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Ettevalmistused ja kipsit\u00f6\u00f6d<\/b><\/p>\n

Mannekeenide pead sattusid konserveerimislaborisse \u00fcsna nukras seisundis. Kuna ma nende nimesid ega p\u00e4ritolu ei teadnud, siis ristisin nad vaikimisi Eesti perekonnaks<\/em>, koosseisus ema<\/em>, isa<\/em> ja poeg<\/em>.<\/p>\n

\"3\"<\/a>

“Ema” enne restaureerimist. Peamiseks probleemiks oli m\u00f5ranenud ning kadudega kael, mida hoidis koos tugevalt korrodeerunud raudtraat. Peast oli kadunud t\u00fckike patsi, n\u00e4ol olid m\u00f5ningased v\u00e4rvi\u00a0kadud. Autori fotod.<\/em><\/p><\/div>\n

\"2\"<\/a>

“Poeg” enne restaureerimist. Peamised probleemid olid samad mis eelmisel kipspeal: kadudega kaelaosa ja sealt v\u00e4lja turritav roostetav raudtraat. Lisaks h\u00e4irisid tervikpilti v\u00e4ikesed k\u00f5ksud ja v\u00e4rvikaod. Autori fotod.<\/em><\/p><\/div>\n

\"1\"<\/a>

“Isa” enne restaureerimist. Probleemiks taaskord kaela l\u00e4bivad m\u00f5rad ning kadud ja sealt v\u00e4lja ulatuv korrodeerunud raudtraat. Pea terviklikkust h\u00e4irisid ulatuslikud kadud pol\u00fckroomiakihis ning puuduvad k\u00f5rvatipud. Autori fotod.<\/em><\/p><\/div>\n

Nagu mainitud, ei tundnud ma end kipsit\u00f6\u00f6des \u00fcldse koduselt, nii tuli lisaks erialakirjanduse tudeerimisele mulle appi kolleeg Maria V\u00e4insar T\u00dc kunstimuuseumist, kelle juhendamisel t\u00f6\u00f6 j\u00e4tkus.<\/p>\n

Esmalt oli oluline pead vanast mustusest puhastada. V\u00e4rvitud pinnal t\u00f6\u00f6tas k\u00f5ige paremini triammooniumtsitraadi 3% vesilahus. Katmata kipsipinda p\u00fc\u00fcdsin algul vaid kuivpuhastada, kasutades vulkaniseeritud kummist k\u00e4sna ja peenikeste otsikutega tolmuimejat. Siiski t\u00f6\u00f6tas krobelisel pinnal k\u00f5ige paremini puhastamine deioniseeritud veega. Metallikarkassi korrosiooni peatasin ERMi metallikonservaatori Karl-Eriku soovitusel ortofosforhappega.<\/p>\n

Seej\u00e4rel oli aeg valamise k\u00e4es! Kipsiparandused on tegelikkuses \u00e4\u00e4rmiselt aegan\u00f5udvad \u2013 hea tulemus eeldab pidevat silumist, lihvimist, uuesti t\u00e4itmist ja nii mitmeid kordi. Lisaks m\u00e4\u00e4rib ja kuivatab kipsitolm k\u00e4si. Augustikuu niiskuses ei tahtnud kips ka \u00fcldse kuivada. Nii v\u00f5ttis n\u00e4dalaid, enne kui v\u00f5is anda viimase lihvi.<\/p>\n

\"4\"<\/a>

“Ema” p\u00e4rast kipsiparandusi. Autori fotod.<\/em><\/p><\/div>\n

\"6\"<\/a>

“Poeg” p\u00e4rast kipsiparandusi. Autori fotod.<\/em><\/p><\/div>\n

\"5\"<\/a>

“Isa” p\u00e4rast kipsiparandusi. Autori fotod.<\/em><\/p><\/div>\n

Maalingud<\/b><\/p>\n

J\u00e4rgmiseks sammuks oli kipspeadele v\u00e4rvitud n\u00e4gude retu\u0161eerimine, mis kohati t\u00e4hendas t\u00e4iesti uue maalingu tegemist. L\u00e4hemalt uurimisel selgus, et n\u00e4od on aja jooksul korduvalt \u00fcle v\u00f5\u00f5batud. Anal\u00fc\u00fcside p\u00f5hjal sai selgeks, et kasutusel olnud v\u00e4rv oli kriidisegune \u00f5liv\u00e4rv, millest l\u00e4htuvalt segasin ka retu\u0161eerimisel-maalimisel \u00f5liv\u00e4rvi sisse kriiti.<\/p>\n

Enne retu\u0161eerimist-v\u00e4rvimist kruntisin parandused Paraloid B72 10% lakiga, mille sisse segasin ka titaanvalget pigmenti.<\/p>\n

\"8\"<\/a>

“Perekond” t\u00e4ies koosseisus p\u00e4rast restaureerimist. Fotod: Berta Vosman<\/em><\/p><\/div>\n

 <\/p>\n

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Tekst: Mariliis Vaks, konservaator Konservaatori-restauraatori t\u00f6\u00f6 eeldab pidevat valmisolekut uute materjalide ja probleemidega tegelemiseks. Enamasti tegelen muuseumis puitesemetega, kuid \u00fchel p\u00e4eval sattusid minu lauale kolm korrastamist vajavat kipspead. Rahustav oli seejuures teada, et need ei ole nn numbri all, seega tohib nendega pisut rahulikumalt tegutseda. Eellugu Need kipsist mannekeenide pead p\u00e4rinevad kunagiselt ERMi p\u00fcsin\u00e4ituselt, mis…<\/p>\n","protected":false},"author":1,"featured_media":8478,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-8476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konserveerimine"],"yoast_head":"\nAjalooliste mannekeenipeade restaureerimine - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=8476\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ajalooliste mannekeenipeade restaureerimine - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Tekst: Mariliis Vaks, konservaator Konservaatori-restauraatori t\u00f6\u00f6 eeldab pidevat valmisolekut uute materjalide ja probleemidega tegelemiseks. 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