{"id":8349,"date":"2016-09-01T07:18:45","date_gmt":"2016-09-01T04:18:45","guid":{"rendered":"http:\/\/blog.erm.ee\/?p=8349"},"modified":"2016-09-01T07:18:45","modified_gmt":"2016-09-01T04:18:45","slug":"andy-warholi-audiovisuaalne-looming-parnu-muuseumis","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=8349","title":{"rendered":"Andy Warholi audiovisuaalne looming P\u00e4rnu Muuseumis"},"content":{"rendered":"
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Tekst ja fotod: Marian Kivila, P\u00e4rnu Muuseumi arendus- ja turundusjuht<\/em><\/p>\n

N\u00e4itus \u00abAndy Warhol: Elu p\u00e4rast supipurki \/ Filmid, videokunst ja installatsioonid 1963-1986\u00bb. 14. juuli – 14. august 2016 P\u00e4rnu Muuseumis.<\/p>\n

\u00dcha enam tundub, et suurte kunstnike loomingu eksponeerimine v\u00e4iksemates linnades ei ole enam harukordne juhus. V\u00f5iks pigem \u00f6elda, et tegu on kunstimaailmas \u00fcha enam populaarsust koguva trendiga. Samal ajal, kui Pittsburghi muuseumi kogude p\u00f5hjal valminud Andy Warholi filmilooming t\u00e4itis P\u00e4rnu Muuseumi ajutiste n\u00e4ituste saali, v\u00f5is Rootsis V\u00e4rmd\u00f6 linnas asuvas Artipelago muuseumis tutvuda Warholi visandite, maalide ja muu p\u00e4randiga. P\u00e4rnu Muuseum sai toimunud n\u00e4ituse asukoha valikul m\u00e4\u00e4ravaks esiteks seet\u00f5ttu, et \u00fcks n\u00e4ituse kuraatoritest (Marian Kivila)\u00a0 t\u00f6\u00f6tab P\u00e4rnu Muuseumi arendus- ja turundusjuhina ning teiseks t\u00e4nu sellele, et erinevalt paljudest teistest n\u00e4itusepaikadest, kasutab P\u00e4rnu Muuseum n\u00e4itustel turvat\u00f6\u00f6tajaid. Turvan\u00f5uded n\u00e4itusele olid tavap\u00e4rasest k\u00f5rgemad, ning P\u00e4rnu Muuseum vastas nii kaasaegsete n\u00e4ituseruumide kui turvateenuse poolest ehk k\u00f5ige paremini Warholi kodumuuseumi poolt esitatud n\u00f5uetele.<\/p>\n

\"panorama1\"<\/a><\/p>\n

\"panorama2\"<\/a><\/p>\n

\"panorama3\"<\/a><\/p>\n

Tasub ka r\u00f5hutada, et n\u00e4itus \u00abAndy Warhol: Elu p\u00e4rast supipurki \/ Filmid, videokunst ja installatsioonid 1963-1986\u00bb n\u00e4ol ei olnud tegemist valmis r\u00e4ndn\u00e4itusega, vaid selle koostasid n\u00e4ituse kuraatorid Marian Kivila ja Sandra J\u00f5geva. N\u00e4itusele eelnes t\u00f6\u00f6 Pittsburgi muuseumi fondides ning fookus otsustati s\u00e4ttida just audiovisuaalsele kunstile.<\/p>\n

Kuigi m\u00f6\u00f6dunud sajandi legendaarseim popkunstnik on laiadele massidele tuttav eelk\u00f5ige Campbelli supipurkide v\u00f5i Marilyn Monroe ikoone kujutavate seeriate kaudu, keskendus antud n\u00e4itus Warholile kui L\u00e4\u00e4ne eksperimentaalkino pioneerile. Tema loomingust suure osa moodustasid just filmid, videokunst ja telesaated, mis on t\u00e4naseks rangelt autori- ja levi\u00f5igustega kaitstud ning millest enamikku ei leia ka internetiavarustest. N\u00e4ituse valvamise juures saigi k\u00f5ige suuremaks v\u00e4ljakutseks v\u00e4ltida teoste v\u00f5imalikku reprodutseerimist v\u00f5i j\u00e4\u00e4dvustamist k\u00fclastajate poolt.<\/p>\n

\"2\"<\/a><\/p>\n

\"3\"<\/a><\/p>\n

\"5\"<\/a><\/p>\n

\u00dcks p\u00f5hjus, miks kuraatorid otsustasid n\u00e4ituse teha Warholi filmiloomingust, oli teoste transportimise mugavuse ja madalamate kindlustuskulude k\u00f5rval selle eksklusiivsus, kaasaegsus ja aktuaalsus. Warholi erakordne hobi – maniakaalne \u00fcmbruse ja inimeste dokumenteerimine videokassettidele ja polaroidfotodele, on muutunud t\u00e4nases sotsiaalmeedias igap\u00e4evaseks tegevuseks. Ka teemad, mida Warhol 1960-1980. aastatel k\u00e4sitles, on endiselt aktuaalsed ning v\u00e4\u00e4rivad j\u00e4tkuvalt t\u00f5statamist ja diskussiooni. V\u00f5ib spekuleerida, et ehk ongi Warholi v\u00e4hemn\u00e4htud looming tulevasi p\u00f5lvkondi salamahti k\u00f5ige rohkem m\u00f5jutanud. Tema kaootilised vaatem\u00e4ngud Factory seltskonnategelaste, transvestiitide, transseksuaalide ja kiirelt vahetuvate superstaaridega, tegelesid oma aja kontekstis oluliste sotsiaalsete probleemidega, mis ei ole oma aktuaalsust kaotanud t\u00e4nap\u00e4evalgi. Suur osa tema videoloomingust ennustas ette seda, millega on viimased aastak\u00fcmned tegelenud reality-telesaated. Oma ajastu vaataja kannatuse panid totaalselt proovile \u00fclipikad epohhiloovad \u00fchekaadrifilmid, millest antud n\u00e4itusel olid esindatud “Sleep”, samuti kaootilise narratiiviga LGBTQ-teemadel peatuvad eksperimentaalfilmid \u201cMy Hustler\u201d ja \u201cMario Banana\u201d.<\/p>\n

\"6\"<\/a><\/p>\n

 <\/p>\n

\"mariobanana\"<\/a><\/p>\n

Warholi kirglikku armastust kuulsuste vastu ning katset \u00fchendada kunsti ja tarbimiskultuuri v\u00e4ljendas n\u00e4itusel valik episoode Warholi v\u00e4ndatud haruldastest ja internetiavarustes k\u00e4ttesaamatutest telesaadetest “Andy Warhol\u00b4s TV”, “Andy Warhol`s 15 Minutes” ning “Fashion”. \u201eAndy Warhol\u00b4s TV-s\u201c, New Yorgi kohaliku kaabel-TV saates astusid omal ajal \u00fcles nii maailmakuusad popmuusikud, heliloojad kui intellektuaalid Philip Glassist Cindy Shermanini. \u201cFashion\u201d, nagu \u00fctleb saate nimigi, seadis eesm\u00e4rgiks dokumenteerida oma ajastu disainereid ning arutleda selliste terminite \u00fcle nagu trend, stiil, mood, ilu jne.<\/p>\n

\"8\"<\/a><\/p>\n

Eksponeeritud olid ka Andy Warholi ja Billy Kl\u00fcveri koost\u00f6\u00f6na valminud kurikuulus installatsioon \u201cH\u00f5bepilved\u201d (\u201cSilver Clouds\u201d), mis koosnes enam kui kahek\u00fcmnest heeliumi ja \u00f5hu seguga t\u00e4idetud alumiiniumpadjast. N\u00e4ituse kesksel kohal olid Warholi \u201cekraaniproovid\u201d (Screen Tests) ehk kolmeminutilised minimalistlikud videoportreed kuulsustest, millest on s\u00e4ilinud vaid v\u00e4ike osa. P\u00e4rnus eksponeeritavatel \u201eekraaniproovidel\u201c oli vaatajal v\u00f5imalik t\u00f5tt vaadata nii Salvador Dali kui Bob Dylaniga.<\/p>\n

\"1\"<\/a><\/p>\n

\"4\"<\/a><\/p>\n

Warholi aega ja tema loomingu tausta aitasid avada n\u00e4itusel eksponeeritud intervjuud filmi “Sleep” peategelasest Warholi tollase elukaaslase John Giorno ja Warholi hilisema l\u00e4hedase s\u00f5bra ja koost\u00f6\u00f6partneri Bob Colacelloga, mille viisid l\u00e4bi n\u00e4ituse kuraatorid ja ning mis said \u00fcles filmitud 2014. a l\u00f5pus New Yorgis, kui n\u00e4itust ette valmistati. Interj\u00f6\u00f6rilahendustes on kasutatud Warholi originaalgraafikat, teiste seas legendaarset Campbelli supipurki kujutavat teost, Mao Zedongi ja Jacqueline Kennedy Onassise portreid ning Warholi rariteetset pop-up- raamatut “Andy Warhol`s Index” (1967), mis on p\u00e4rit Eestis elavate kunstikogujate, Paul Firnhaberi ja Benedict Chapmani erakogudest ning mis aitasid hoida n\u00e4ituse ja kindlustusega seotud kulutusi taskukohastes piirides.<\/p>\n

Ka n\u00e4ituse pikkus – kuu aega, tulenes just eelarvest. K\u00f5ige keerulisemaks aspektiks sai suure n\u00e4ituse korraldamise juures just rahastuse leidmine.<\/p>\n

\"\u00fcldvaade1\"<\/a><\/p>\n

Kokkuv\u00f5ttes v\u00f5ib aga \u00f6elda, et suurn\u00e4ituste organiseerimiseks kuluv energia ja vaev tasuvad end mitmekordselt \u00e4ra. Ainu\u00fcksi Warholi n\u00e4itust k\u00fclastas kuu aja jooksul ligi 6000 inimest, lisaks t\u00f5i n\u00e4itus rohkelt k\u00fclastajad muuseumi p\u00fcsiekspositsioonile. Ka ajaloomuuseumil tasub v\u00f5tta riske ja p\u00fcsida dialoogis aktuaalsete teemadega, sest k\u00fclastajaskonna laiendamise seisukohalt on see kahtlemata vajalik.<\/p>\n

Kuraatorid: Marian Kivila, Sandra J\u00f5geva<\/em><\/p>\n

N\u00e4ituse t\u00f6\u00f6meeskond: Marju Kurvits, Triin Tammann, Indrek Aija, Kristjan Aariste, Margo Samorokov<\/em><\/p>\n

Kujundus: Marian Kivila, Triin Tammann<\/em><\/p>\n

Toetajad: Eesti Kultuurkapital, P\u00e4rnu Linnavalitsus, Ameerika \u00dchendriikide Suursaatkond Eestis, Eesti Kunstnike Liit, Soho Fond, T-Shirtstore<\/em><\/p>\n

Koost\u00f6\u00f6partnerid: The Andy Warhol Museum, Oot-Oot Studio<\/em><\/p>\n

Erilised t\u00e4nud: Bob Colacello, John Giorno, Benedict Chapman, Paul Firnhaber, Wendre AS, Eva Sepping, Tiiu Vitsut, Villu J\u00f5geva, Arne Maasik, Jan Leo Grau, Martin Saar, Meelis Tammem\u00e4gi, Heini Soobik, Toomas M\u00e4nnaste, Piret Irs, Kristiina Davidjants, Juta Ristsoo, Imbi Arro, Hanno Soans, Igor Ruus, Teet Raudsepp, Accademia Boutique, Port Arturi kaubamaja<\/em><\/p>\n

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Tekst ja fotod: Marian Kivila, P\u00e4rnu Muuseumi arendus- ja turundusjuht N\u00e4itus \u00abAndy Warhol: Elu p\u00e4rast supipurki \/ Filmid, videokunst ja installatsioonid 1963-1986\u00bb. 14. juuli – 14. august 2016 P\u00e4rnu Muuseumis. \u00dcha enam tundub, et suurte kunstnike loomingu eksponeerimine v\u00e4iksemates linnades ei ole enam harukordne juhus. V\u00f5iks pigem \u00f6elda, et tegu on kunstimaailmas \u00fcha enam populaarsust…<\/p>\n","protected":false},"author":1,"featured_media":8369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"class_list":["post-8349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naitus"],"yoast_head":"\nAndy Warholi audiovisuaalne looming P\u00e4rnu Muuseumis - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=8349\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andy Warholi audiovisuaalne looming P\u00e4rnu Muuseumis - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Tekst ja fotod: Marian Kivila, P\u00e4rnu Muuseumi arendus- ja turundusjuht N\u00e4itus \u00abAndy Warhol: Elu p\u00e4rast supipurki \/ Filmid, videokunst ja installatsioonid 1963-1986\u00bb. 14. juuli – 14. august 2016 P\u00e4rnu Muuseumis. \u00dcha enam tundub, et suurte kunstnike loomingu eksponeerimine v\u00e4iksemates linnades ei ole enam harukordne juhus. 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