{"id":5516,"date":"2014-11-13T01:06:30","date_gmt":"2014-11-12T23:06:30","guid":{"rendered":"http:\/\/blog.erm.ee\/?p=5516"},"modified":"2014-11-12T16:07:12","modified_gmt":"2014-11-12T14:07:12","slug":"naitus-esemed-ja-eritingimused","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=5516","title":{"rendered":"N\u00e4itus, esemed ja eritingimused"},"content":{"rendered":"
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Kristiina Piirisild, konserveerimisosakonna juhataja<\/em><\/p>\n

Artefaktide teekond muuseumi hoidlast n\u00e4itusesaali on pikk ja mitmeid erialaspetsialiste kaasav jada. J\u00e4tame hetkel k\u00f5rvale kabinettides, hoidlates ja konserveerimisruumides tehtava t\u00f6\u00f6 ning keskendume sellele, millega tuleb arvestada n\u00e4itust \u00fcles pannes.<\/p>\n

Igale esemele on konservaatorid m\u00e4\u00e4ranud kindlad eksponeerimistingimused: millises asendis ja kuidas v\u00f5ib eset eksponeerida, ning millised peavad olema n\u00e4itusesaali keskkonnatingimused. Viimast n\u00f5uet on paljudes muuseumides raske ideaaltingimuste piires hoida, kuna vanad hooned on v\u00e4liskeskkonna temperatuuri- ja niiskustaseme muutustele \u00e4\u00e4rmiselt vastuv\u00f5tlikud. Suuremad keskkonna k\u00f5ikumised tekitavad esemes lisapingeid, kahjustades nii viimistlust kui sisestruktuure. Olukorda saab leevendada m\u00f5ningate abivahenditega. T\u00e4nap\u00e4eval kasutatakse vitriinides silikageeli, mida leiab igap\u00e4evaelus kinga- ja elektroonikakarpide seest. Tegemist on v\u00e4ikeste graanulitega, mis imavad \u00fcleliigse niiskuse endasse ning vajadusel annavad seda ka v\u00e4lja. Antud meetod on k\u00f5ige efektiivsem h\u00e4sti suletud vitriinides. Suletud keskkond kaitseb esemeid ka v\u00f5imaliku \u00f5husaaste ja tolmu eest.<\/p>\n

\"silikageel\"<\/a>
\nTumerohelised silikageeli graanulid n\u00e4itavad k\u00f5rget niiskuse taset. Foto: Anu Ansu<\/em><\/p>\n

Iga eseme eksponeerimisega kaasnevad teatavad riskid. \u00dcheks ohuallikaks on valgus. Valgustundlikud materjalid on enamjaolt v\u00e4rvilised, n\u00e4iteks tekstiilid (eriti siid), fotod (t\u00e4helepanu s\u00f5na\u00fchendil \u201ecolor\u201c \u2013 Kodacolor<\/em>), paber, maalid ja maalingud ning botaanilised objektid. Valgusele stabiilsed materjalid on kivimid ja metallid. Enamiku esemete puhul on aga tegemist segatehnikaga, kus eritingimusi luues l\u00e4htutakse keskkonnamuutustele k\u00f5ige tundlikumast materjalist. Arvestada tuleb ka n\u00e4ituse kestusega \u2013 mida kauem on esemed valguse k\u00e4es, seda rohkem nad pleekuvad.<\/p>\n

\"l6ng\"<\/a>
\nValgusmikroskoobi foto l\u00f5ngast, mille v\u00e4limine osa on tugevalt pleekinud. Foto: Riina Rammo, T\u00dc arheoloogia osakond<\/em><\/p>\n

Loomuliku ja kunstliku valguse m\u00f5ju saame minimaliseerida, kasutades aknakatteid, v\u00e4hendades ruumide koht- ja \u00fcldvalgustust ning kasutades muuseumi akendel ja valgustitel UV-kiirgust filtreerivaid kilesid v\u00f5i katteid.<\/p>\n

\"vitriin\"<\/a><\/em>
\n Vitriini valgustingimuste m\u00f5\u00f5tmine luksmeetriga. Foto: Kristiina Piirisild<\/em><\/p>\n

Ekspositsiooni asetus ja v\u00e4ljan\u00e4gemine on samuti tihedalt seotud eritingimustega. Kinnitused ja toestused peavad olema tugevad ning abimaterjalid keemiliselt ohutud. Lisaks tuleb olla ettevaatlik esemete \u00fcksteise peale asetamisega. V\u00f5imalusel eksponeeritaksegi neid eraldi v\u00f5i kasutatakse vahekihina happevaba paberit. K\u00f5ige ohutum on asetada esemed horisontaalsele pinnale. Objekti riputades tuleb see toestada ja vajadusel paigutada lisakinnitused, takistamaks v\u00e4ljavenimist v\u00f5i rebendite teket.<\/p>\n

N\u00e4itust ette valmistades tuleb arvestada, et eksponeerimistingimuste osas \u00fchtseid reegleid ei ole \u2013 igale esemele tuleb l\u00e4heneda individuaalselt.<\/p>\n

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Kristiina Piirisild, konserveerimisosakonna juhataja Artefaktide teekond muuseumi hoidlast n\u00e4itusesaali on pikk ja mitmeid erialaspetsialiste kaasav jada. J\u00e4tame hetkel k\u00f5rvale kabinettides, hoidlates ja konserveerimisruumides tehtava t\u00f6\u00f6 ning keskendume sellele, millega tuleb arvestada n\u00e4itust \u00fcles pannes. Igale esemele on konservaatorid m\u00e4\u00e4ranud kindlad eksponeerimistingimused: millises asendis ja kuidas v\u00f5ib eset eksponeerida, ning millised peavad olema n\u00e4itusesaali keskkonnatingimused. Viimast…<\/p>\n","protected":false},"author":1,"featured_media":5515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[],"class_list":["post-5516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naitus"],"yoast_head":"\nN\u00e4itus, esemed ja eritingimused - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=5516\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00e4itus, esemed ja eritingimused - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Kristiina Piirisild, konserveerimisosakonna juhataja Artefaktide teekond muuseumi hoidlast n\u00e4itusesaali on pikk ja mitmeid erialaspetsialiste kaasav jada. 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