{"id":1716,"date":"2013-03-21T11:11:06","date_gmt":"2013-03-21T09:11:06","guid":{"rendered":"http:\/\/blog.erm.ee\/?p=1716"},"modified":"2013-11-02T00:43:46","modified_gmt":"2013-11-01T22:43:46","slug":"filmid-parast-trollide-koondamist-ja-ka-kolmerattalise-auto-najal-passib-poseerida-kui-neljarattalist-pole","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=1716","title":{"rendered":"Filmid “P\u00e4rast trollide koondamist” ja “Ka kolmerattalise auto najal passib poseerida, kui neljarattalist pole”"},"content":{"rendered":"
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 <\/p>\n

Tekst: Lauri Laanisto<\/em><\/p>\n

Foto: Nele Tammeaid<\/em><\/p>\n

Talvevalgus (Norra 2011, re\u017e Skule Eriksen)<\/i><\/strong><\/p>\n

Karge ja karm, kaljune, merelainetest ja tuultest uhtud maat\u00fckk on k\u00fcllap teinud v\u00e4ikese pesa iga\u00fche unistustesse, v\u00e4hemalt enne, kui odavlendude reaalsus oma r\u00e4paste liivarandadega palistatud palmisaartega selle peast on p\u00fchkinud. Sedasorti maastike ahhetamapanevaid kaadreid n\u00e4eb peaaegu eranditult v\u00e4ga spetsiifilistes filmides. Sellistes, kus peategelased ei saa kohe \u00fcldse mitte rahu, sest alatasa r\u00fcndavad neid mingid orgid, trollid ja muud kurjamid. Skule Erikseni film \u201eTalvevalgus\u201d ongi nagu \u201eS\u00f5rmuste isand\u201d v\u00f5i \u201eTroonide m\u00e4ng\u201d ilma selle t\u00fc\u00fctu ja pideva kismata. K\u00f5ik j\u00e4\u00e4vad ellu, elavad kaua ja rahulikult, saavad k\u00e4ia merel, poes ja surnuaial, lapselastele j\u00f5ulukaarte saata. T\u00e4pselt nii nagu k\u00e4\u00e4bikudki algselt plaanisid…<\/p>\n

Lofootide saarestikku v\u00f5ib pidada Arktika k\u00f5ige soojemaks paigaks. Arhipelaagi k\u00f5ige l\u00e4\u00e4nepoolsematel saarte aasta keskmine temperatuur on \u00fcle nulli, olgugi et laiuskraad l\u00e4heneb 70nele. Samadel laiuskraadidel on n\u00e4iteks nii Alaska poolsaare p\u00f5hjaosa, Island aga j\u00e4\u00e4b Lofootidest veel l\u00f5unagi poole. Fjordidevaheline t\u00fc\u00fcne meri kihab turskest kalast, immigrandid nii kaugele p\u00f5hja ei kipu, toit hallitama ei l\u00e4he, s\u00e4\u00e4sed ja kihulased puhub tuul minema. Kui nii v\u00f5tta, siis ega paremat kohta elamiseks naljalt ei leiagi kui Lofoodid. Kui ainult suviti need turistid ei k\u00e4iks…<\/p>\n

K\u00e4esolev film seda k\u00fcll vist \u00f6elda ei soovi. Ega p\u00e4ris t\u00e4pselt ei saagi aru, mida filmitegija sealsest elust \u00fcldse m\u00f5tleb, sest kaamera liigub ringi justkui nii, et selle taga inimkomponenti nagu polekski. Vaatab ringi \u00f5ues, kiikab tuppa, k\u00e4ib kaluritega merel ja uitab m\u00f6\u00f6da inimt\u00fchja randa, kuid mingit hoiakut ei v\u00f5ta. Sellest polekski ju midagi, kui visuaalne pool v\u00e4lja kannaks. Kuid viimasega teab mis palju vaeva n\u00e4htud ei ole. Kogu kaamerat\u00f6\u00f6 n\u00e4ib olevat tehtud p\u00fcstijalu (kaamera k\u00f5rgus maapinnast n\u00e4ibki ainsa inimfaktorina), sestap pole kaadrid p\u00e4ris nii head, kui v\u00f5iksid olla. Autor ei ole filmimisel kasutanud ka mingeid tehnilisi v\u00f5tteid, pole aegv\u00f5tteid, makrov\u00f5tteid, ega ole ronitud kaamerasilmaga vee alla. Kuigi sellest k\u00f5igest loobumine v\u00f5ib olla taotluslik, et mitte kaasa joosta peavoolu v\u00f5i millegi muuga, ent talvevalgus ei anna nii lihtsalt end k\u00e4tte, eriti nii kaugel p\u00f5hjas. Seda tuleb kiir-kiire haaval hoolikalt kokku koguda, lasta settida ja tummiseks vajuda, ajaga rikastada. Alles siis saab filmi.<\/p>\n

\"1\"<\/a><\/p>\n

\u00dche aasta meeldetuletus (Itaalia 2012, re\u017e Michele Di Salle, Luca Papaleo)<\/i><\/strong><\/p>\n

Elasin just paar aastat vahemerelises kliimas ja ma tean t\u00e4pselt, mis alles j\u00e4\u00e4b, kui neljast aastaajast suvi v\u00e4lja l\u00f5igata. J\u00e4\u00e4b umbes kolm kuud talutava temperatuuriga niisket ilma, kus on raske vahet teha, kas tegemist on kohalike meelest parasjagu s\u00fcgise v\u00f5i talvega. Sinna otsa tuleb vaevalt n\u00e4dalajagu kestev kevad ja ongi j\u00e4lle see v\u00e4hemalt 35-kraadine k\u00f5rbekuiv v\u00e4hkp\u00e4ikeseline suveoimetus k\u00e4es. Kui see pealekauba veel turistideportsu endaga kaasa toob, siis on selge, miks filmitegijad suve otsasaamise \u00e4ra ootasid.<\/p>\n

Ootamine on L\u00f5una-Itaalias \u00fcldse kogu kultuuri aluseks. Oodatakse saagi valmimist, seej\u00e4rel selle kuivamist, siis k\u00e4\u00e4rimist, veini \u00e4ram\u00fc\u00fcmist, ning viimaks ja peamiselt raha tulemist. Suvel m\u00fc\u00fcvad naised turistidele kapparit kah ja nii elabki aastaringi t\u00e4is. Ega nii ju rikkaks ei saa ja mingit innovatsiooni ka ei teki. K\u00fcllap seep\u00e4rast polegi elu sealkandis juba aastasadu, ehk suisa -tuhandeid sisuliselt muutunud. Fellini lapsep\u00f5lvem\u00e4lestused 1930ndatest filmis \u201eAmarcord\u201d, mis t\u00f5si, leiab aset veidi p\u00f5hja pool \u2013 Kesk-Itaalias; Ungarist pagendatud S\u00e1ndor M\u00e1rai, kes Teise maailmas\u00f5ja j\u00e4rel Napoli kandis peatus, kirjutatud m\u00e4lestused \u201eP\u00fcha Gennaro veri\u201d (Varrak 2006) sealkandis veedetud ajast, on \u00fcks-\u00fchele samad filmis n\u00e4htuga, varasematest kirjeldustest r\u00e4\u00e4kimata.<\/p>\n

\u201e\u00dche aasta meeldetuletus\u201d\u00a0 k\u00fcll \u00fcksnes vaatleb, kuid teeb seda v\u00e4ga intiimselt. Kaamera ei j\u00f5ua k\u00fcll p\u00e4ris magamistuppa, aga oma neutraalsuses see sinna ei t\u00fckigi. Siiski j\u00f5uab see paadile, autosse, keldrisse ja tuppa, sinna kus Salina saare elanikud enamuse oma p\u00e4evast veedavad. T\u00e4navast r\u00e4\u00e4kimata. Kaamera mitte niiv\u00f5rd ei filmi, vaid pigem j\u00e4\u00e4dvustab. Tehes seda seejuures fotograafia parimas vaimus. Ja talletades just neid hetki, mis turistile silma ei hakka. Kuis talvine torm heidab kaile meduuse, pulmapildid koguvad eeskojas tolmu, bussijuht korjab kooliteelt lapsi peale.<\/p>\n

Lisaks pildikestele\u00a0 on filmi kogutud ka toredaid v\u00e4ikeseid lugusid saareelanikest. Neist ehk k\u00f5ige meeldej\u00e4\u00e4vam on Salvatore \u2013 habemes vanamees, kes juhib nii koolibussi kui ka tulet\u00f5rjep\u00fctti, ning teeb vabal ajal veini ja kunsti. Sedasorti sisemine tung end \u00fcmbritsevast rohkem hoolida ongi vast peamine, mis meid vana maailma kodaniku\u00fchiskondlikust elukorraldusest veel lahutab. Ei pea ilmtingimata muudkui tormama helge tuleviku poole, vahepeal v\u00f5ib ka peatuda ja enda \u00fcmber olevat imetleda. Seda suures, keskmises ja v\u00e4ikeses plaanis, vee all ja vee peal, taevas ja maal, isegi lummava animatsiooni vormis. Ei ole siin h\u00e4beneda midagi…<\/p>\n

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  Tekst: Lauri Laanisto Foto: Nele Tammeaid Talvevalgus (Norra 2011, re\u017e Skule Eriksen) Karge ja karm, kaljune, merelainetest ja tuultest uhtud maat\u00fckk on k\u00fcllap teinud v\u00e4ikese pesa iga\u00fche unistustesse, v\u00e4hemalt enne, kui odavlendude reaalsus oma r\u00e4paste liivarandadega palistatud palmisaartega selle peast on p\u00fchkinud. Sedasorti maastike ahhetamapanevaid kaadreid n\u00e4eb peaaegu eranditult v\u00e4ga spetsiifilistes filmides. Sellistes, kus…<\/p>\n","protected":false},"author":1,"featured_media":1717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-1716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sundmus"],"yoast_head":"\nFilmid "P\u00e4rast trollide koondamist" ja "Ka kolmerattalise auto najal passib poseerida, kui neljarattalist pole" - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=1716\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filmid "P\u00e4rast trollide koondamist" ja "Ka kolmerattalise auto najal passib poseerida, kui neljarattalist pole" - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"  Tekst: Lauri Laanisto Foto: Nele Tammeaid Talvevalgus (Norra 2011, re\u017e Skule Eriksen) Karge ja karm, kaljune, merelainetest ja tuultest uhtud maat\u00fckk on k\u00fcllap teinud v\u00e4ikese pesa iga\u00fche unistustesse, v\u00e4hemalt enne, kui odavlendude reaalsus oma r\u00e4paste liivarandadega palistatud palmisaartega selle peast on p\u00fchkinud. 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Sedasorti maastike ahhetamapanevaid kaadreid n\u00e4eb peaaegu eranditult v\u00e4ga spetsiifilistes filmides. 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