{"id":16463,"date":"2023-10-20T10:00:05","date_gmt":"2023-10-20T07:00:05","guid":{"rendered":"https:\/\/blog.erm.ee\/?p=16463"},"modified":"2023-10-24T11:47:15","modified_gmt":"2023-10-24T08:47:15","slug":"koloman-moseri-toolist","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=16463","title":{"rendered":"Koloman Moseri toolist"},"content":{"rendered":"
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Annes Hermann,\u00a0K\u00f5rgem Kunstikool Pallas.<\/p>\n

T\u00e4na toimub ERMis s\u00fcmpoosion “Talutoast parketile. Arutelu tooli ajaloost ja disainist”, millega seoses avaldub blogis K\u00f5rgema Kunstikool Pallas m\u00f6\u00f6bliosakonna \u00f5ppej\u00f5u Annes Hermanni teemakohane lugu.<\/p>\n

20. sajandi algus annab tarbekunsti arengule enneolematu hoo. \u00dcheks s\u00f5lmpunktiks selles protsessis kujuneb Viin. Uuendustele avatud loovisikud vastandavad end 19. sajandi kordusstiilidesse klammerdunud vanale p\u00f5lvkonnale. Uute suundumuste \u00fcldnimetuseks Austrias saab secession<\/em>.<\/p>\n

Setsessiooni esimesel n\u00e4itusel Viinis osales rohkelt tarbekunstnikke ja kunstnikke Austriast ning teistest Euroopa riikidest. Koloman Moser, \u00fcks selle liikumise initsiaatoritest, esitas n\u00e4itusele mitmesuguseid tarbekunstivaldkonda kuuluvaid esemeid, mille hulgas oli\u00a0 s\u00f6\u00f6gitoam\u00f6\u00f6bli garnituur nimega \u201eRikkalik kalasaak\u201c. Sellesse kuulus ka intarsiaga dekoreeritud puhvetkapp koos toolide ja lauaga.<\/p>\n

Moseri selle perioodi t\u00f6\u00f6de dekooris v\u00f5ime tihti leida kujunduselemendina kala. Selle s\u00f6\u00f6gitoa garnituuri juures on intarsiatehnikas teostatuna kasutatud eri spoonidest moodustatud karpkala kujutist. Kala on paljude rahvaste kultuuris olnud l\u00e4biv kujunduselement juba sajandeid. Varakristlikul ajal hakkasid uue usundi j\u00e4rgijad kasutama kala Kristuse s\u00fcmbolina ja kristluse salam\u00e4rgina. Kalajooniseid v\u00f5is n\u00e4ha Rooma katakombides, kus need olid suunan\u00e4itajad kristlaste keelatud koosolekutele (minna tuli kala pea poolt osutatud suunas), samuti esines kalamotiive seinamaalingutel, mosaiikidel, valgustitel ja pitseritel.<\/p>\n

Taustaks on \u00fclest\u00f5usmise ja taevaminemise vahelisse aega j\u00e4\u00e4v j\u00fcngrite kohtumine Jeesusega. J\u00fcngrid olid kogu \u00f6\u00f6 kala p\u00fc\u00fcdnud, kuid v\u00f5rgud j\u00e4id t\u00fchjaks. Hommikul, kui p\u00e4ike oli t\u00f5usnud, ilmus rannal nende juurde Jeesus ja k\u00fcsis meestelt, kas nad on midagi p\u00fc\u00fcdnud. Saanud eitava vastuse, soovitas Jeesus uuesti v\u00f5rgu vette visata. Nad tegidki nii… ja ei jaksanud suure saagi t\u00f5ttu v\u00f5rku enam paati tirida. Johannesele tuli meelde, kuidas sama lugu juhtus siis, kui Jeesus neid j\u00fcngriks kutsus, ja ta \u00fctles Peetrusele, et see on Issand.<\/p>\n

Sellest siis ka garnituuri \u00fcldnimetus ja stiliseeritud kujundid toolide seljatoel ning ornamendiribadel. Terviklikult lahendatud interj\u00f6\u00f6risisustused on olnud v\u00e4ga populaarsed. Ka Koloman Moseri kavandatuna on nendest teada \u00f5ige mitu varianti. Tavaliselt eristuvad nad \u00fcksteisest dekoorielementide poolest. Sisustusgarnituurist \u201eRikkalik kalasaak\u201c on Viini Tarbekunsti Muuseumis v\u00e4ljas puhvetkapp. Toolide kohta pole aga eriti informatsiooni. V\u00e4heseid toolipilte v\u00f5ib leida Christie 1999. aasta oksjonilt \u2013 need on k\u00e4situgedega toolid, mida garnituuris on reeglina kaks. Tugitoole kuulub komplekti rohkem.<\/p>\n

1994. aastal j\u00f5udsid Tartu Kunstikooli t\u00f6\u00f6kotta tellimust\u00f6\u00f6na kaks v\u00e4ga halvas seisukorras leentooli. Need olid saanud servamata laudadest k\u00fclge k\u00e4sitoed ja katteks lambanahkadest n-\u00f6 polstri. Rikkalik intarsia avanes alles p\u00e4rast polstri eemaldamist. Pilt oli jahmatav ning tekitas kohe rida k\u00fcsimusi, millele asusin vastuseid otsima. Umbes sel ajal k\u00fclastas meie kool \u00f5pilaste t\u00f6\u00f6dega K\u00f6lnis m\u00f6\u00f6blimessi, kus mul \u00f5nnestus samuti korra viibida. K\u00e4isin ka K\u00f6lni Tarbekunstimuuseumis sealsete esemetega tutvumas, kuid midagi analoogilist ei \u00f5nnestunud sealt leida. K\u00fcsimuse peale, kas kirja teel saadetud piltidele saab t\u00e4iendavat infot, vastati, et materjal on huvitav, ent nende kogudes s\u00e4\u00e4raseid toole ei ole.<\/p>\n

Aastaid hiljem saatsin pildid Viini Tarbekunsti Muuseumisse. Sealt sain kuraator Christian Witt D\u00f6rringilt vastuse, et tema s\u00f5nul on materjal huvipakkuv ja ta peab ka v\u00f5imalikuks, et tegemist v\u00f5ib olla Koloman Moseri kavandatud toolidega.<\/p>\n

2016. aastal avatud Eesti Rahva Muuseumi uue hoone pidustustel kinkis Tartu K\u00f5rgem Kunstikool tooli muuseumile, nii et sellega saab soovi korral kogudes l\u00e4hemalt tutvuda.<\/p>\n

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S\u00f6\u00f6gitoa garnituur \u201eRikkalik kalasaak\u201c (hr. Doktr. Z. S\u00f6\u00f6gituba) 1900. a. Viini secession\u00b4i 8. n\u00e4itusel eksponeeriti puhvetkappi. Foto: Viini kunsti ja tarbekunsti tutvustav ajakiri Interieur, IV aastak\u00e4ik 1903, lk 36<\/p><\/div>\n

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1994. a. Tartu Kunstikooli j\u00f5udnud toolid. Foto: A. Hermann<\/p><\/div>\n

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Restaureerimata tool. Foto: A. Hermann<\/p><\/div>\n

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Restaureeritud tool. Foto: A. Hermann<\/p><\/div>\n

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Annes Hermann,\u00a0K\u00f5rgem Kunstikool Pallas. T\u00e4na toimub ERMis s\u00fcmpoosion “Talutoast parketile. Arutelu tooli ajaloost ja disainist”, millega seoses avaldub blogis K\u00f5rgema Kunstikool Pallas m\u00f6\u00f6bliosakonna \u00f5ppej\u00f5u Annes Hermanni teemakohane lugu. 20. sajandi algus annab tarbekunsti arengule enneolematu hoo. \u00dcheks s\u00f5lmpunktiks selles protsessis kujuneb Viin. Uuendustele avatud loovisikud vastandavad end 19. sajandi kordusstiilidesse klammerdunud vanale p\u00f5lvkonnale. Uute suundumuste…<\/p>\n","protected":false},"author":1,"featured_media":16464,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[39,5,19,17],"tags":[],"class_list":["post-16463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ajalooga-asjad","category-museaal","category-sundmus","category-uus-maja"],"yoast_head":"\nKoloman Moseri toolist - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=16463\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Koloman Moseri toolist - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Annes Hermann,\u00a0K\u00f5rgem Kunstikool Pallas. T\u00e4na toimub ERMis s\u00fcmpoosion “Talutoast parketile. Arutelu tooli ajaloost ja disainist”, millega seoses avaldub blogis K\u00f5rgema Kunstikool Pallas m\u00f6\u00f6bliosakonna \u00f5ppej\u00f5u Annes Hermanni teemakohane lugu. 20. sajandi algus annab tarbekunsti arengule enneolematu hoo. \u00dcheks s\u00f5lmpunktiks selles protsessis kujuneb Viin. Uuendustele avatud loovisikud vastandavad end 19. sajandi kordusstiilidesse klammerdunud vanale p\u00f5lvkonnale. 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