{"id":15534,"date":"2022-03-17T09:39:46","date_gmt":"2022-03-17T07:39:46","guid":{"rendered":"https:\/\/blog.erm.ee\/?p=15534"},"modified":"2022-03-23T16:07:18","modified_gmt":"2022-03-23T14:07:18","slug":"endel-koksi-ja-gustav-raua-elujaatus","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=15534","title":{"rendered":"Endel K\u00f5ksi ja Gustav Raua elujaatus"},"content":{"rendered":"
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Eero Epner, n\u00e4ituse \u201eV\u00e4rvide ilu. Eesti kuldajastu kunst Enn Kunila kollektsioonist\u201c kuraator.<\/p>\n

1938. aastal asetas 26-aastane Endel K\u00f5ks oma Tartu kesklinna ateljees \u00fcles suuremat sorti l\u00f5uendi ja asus maalima kodulinna. K\u00f5ks s\u00fcndis siinsamas Tartus kingsepa pojana, lidus ilmselt poisikesena m\u00f6\u00f6da linna ringi ja tundis iga nukakest. Ent sellest maalist pidi saama hoopis midagi pidulikku ja glamuurset \u2013 midagi, mida p\u00e4riselus kunagi pole.<\/p>\n

Nii nagu k\u00f5ikide romantiliste fantaasiatega on, soovis ka K\u00f5ks ehitada selle tegelikkuse vundamendile. \u00dckshaaval valis ta v\u00e4lja linna olulisemad s\u00fcmbolhooned, s\u00e4ravad ihalusobjektid, mis tema arvates defineerisid Tartu arhitektuurilist palet k\u00f5ige enam. Raekoda. Kivisild. Viltune maja. Kaubahoov. Emaj\u00f5e teisel kaldal asunud hooned. K\u00f5ik need asetatud p\u00fcramiidjalt nagu akropolis ning selle m\u00e4ekese tippu tulipunased Jaani ning Pauluse kiriku tornid, mille taustal on tumesinine taevas \u2013 dramaatiline efekt, mis v\u00f5imendas veelgi K\u00f5ksi soovi \u00f5ilistada, \u00fclistada, anda edasi linna katartilist natuuri, mitte maalida vaid kodulinna portree. S\u00e4\u00e4rane linna\u00fclistus ei olnud aga h\u00fcmn moodsale urbanismile, vaid kunstnik n\u00e4gi Tartut ajatuna nagu m\u00f5nd fantaasias s\u00fcndinud antiiklinna. Me ei n\u00e4e tema maalil \u00fchtegi detaili, mis viitaks tehnoloogilisele progressile v\u00f5i uuenduslikule linnaruumile (mida Tartus k\u00fcll eriti polnudki). Endel K\u00f5ksi maal on minevikku suunatud utoopia, portree linnast, mis p\u00fcsib muutumatul kujul l\u00e4bi aegade.<\/p>\n

\"endel<\/a>

Endel K\u00f5ks. Tartu vaade. \u00d5li, l\u00f5uend. 1938. Enn Kunila kollektsioon.<\/p><\/div>\n

Vaevalt neli aastat hiljem on linn aga p\u00f6\u00f6rdumatult muutunud. Enamik 1938. aastal kujutatud hoonetest on h\u00e4vinud v\u00f5i varemetes, linnakese keskel haigutavad n\u00fc\u00fcd augud ja akropolist on saanud nekropolis, surnute linn. K\u00f5ksi formaat on v\u00e4ike ja intiimne, kui ta proovib kujutada Vanemuise teatri ees laiuvat t\u00fchermaad \u2013 rakurss, mis polnud sugugi unikaalne, sest t\u00e4pselt samu varemeid maalisid ka teised. Ent K\u00f5ksi maal ei ole siiski katastroofi autentne dokumentatsioon, vaid selle estetiseerimine. Maalilise n\u00f5tkusega kujutab ta v\u00e4rvitoonide \u00fcleminekuid ja n\u00fcansse, maalib taeva optimistlikult helesiniseks ja kujutab varemeid sedav\u00f5rd arabeskse pintslikirjaga, et neis on isegi raske \u00e4ra tunda purustatud kivimaju. T\u00e4navatele on ta aga toonud elu: inimesed liiguvad ja jalutavad, autod s\u00f5idavad, n\u00e4eme isegi jalgratast kihutamas. Kuigi tegemist peaks olema \u00e4\u00e4rmiselt s\u00fcgava traumaga, on K\u00f5ks otsustanud lahtisele haavale raputada peale v\u00e4rvit\u00e4ppe. S\u00e4\u00e4rane l\u00e4henemine oli Teise maailmas\u00f5ja aastatel iseloomulik paljudele Eesti kunstnikele. Traumaatilisi kogemusi ei v\u00f5imendatud, vaid neid p\u00fc\u00fcti (v\u00e4hemalt osaliselt ka kehtiva tsensuuri t\u00f5ttu) eirata v\u00f5i \u00fcletada. See meenutab aga kirjanik W. G. Sebaldi k\u00e4sitlust Teise maailmas\u00f5ja \u00f5hulahingutes purustatud Saksa linnade kohta, kus vahel n\u00e4hti veel suitsevate ahervaremete vahel kohvi joovaid inimesi. \u201eTeiselt poolt on katastroofilistest juhtumitest mittehooliv argirutiin alates koogi k\u00fcpsetamisest kohvilauale kuni k\u00f5rgematest kultuurirituaalidest kinnipidamiseni k\u00f5ige kindlam ja loomulikum vahend niinimetatud terve inimaru alalhoidmiseks,\u201d kirjutab Sebald.<\/span><\/p>\n

\"endel<\/a>

Endel K\u00f5ks. Tartu s\u00fcdalinn. \u00d5li, vineer. 1942. Enn Kunila kollektsioon.<\/p><\/div>\n

\"gustav<\/a>

Gustav Raud. Tartu vaade Kivisilla varemetega. \u00d5li, l\u00f5uend. 1943. Enn Kunila kollektsioon.<\/p><\/div>\n

Endel K\u00f5ksi ja ka Gustav Raua maalid sel n\u00e4itusel p\u00f5imivad kokku katastroofilise juhtumi kujutamise ja samas sellest mittehoolimise. N\u00e4eme \u00fchelt poolt argis\u00fc\u017eeede j\u00e4tkumist \u2013 autod s\u00f5idavad, inimesed jalutavad. Linna sotsiaalne kude on hoolimata arhitektuurilise kesta h\u00e4vimisest endiselt justkui puutumata. S\u00fcnnib huvitav paradoks: kui K\u00f5ksi varane maal n\u00e4gi ajatust ennek\u00f5ike hoonetes \u2013 ta puhastas oma maali k\u00f5ikv\u00f5imalikust inimm\u00fcrast, sest see tundus talle palju p\u00fcsimatum kui kivist ja metallist p\u00fcstitatud majad \u2013, siis neli aastat hiljem purunenud hoonelasu ees toob ta maalile inimesed tagasi, sest hoopis nemad kehastavad n\u00fc\u00fcd ajatuse utoopiat. Majad andsid j\u00e4rele, said pommiga pihta ja varisesid olematusse, aga inimlik side, \u00fchiskondlik sagin j\u00e4tkub k\u00f5igest hoolimata.<\/span><\/p>\n

Teiselt poolt r\u00f5hutavad K\u00f5ks ja Raud elujaatust ka maali isev\u00e4\u00e4rtustes: koloriidivalikus, pintslikirjas ja kompositsioonis ei ole midagi traumaatilist, vaid pigem \u00f5nnestavat ja kevadist. Tegemist ei ole pelgalt kunstilise valikuga, vaid s\u00fcgavalt kontseptuaalsega, mis asetab kunstniku ette k\u00fcsimuse, mida teha, kui oled pandud katastroofi palge ette. V\u00f5imalik aga, et see k\u00fcsimus pole spetsiifiliselt kunstnikele, vaid \u00fcldinimlik, suunatud meile k\u00f5igile. Eriti t\u00e4nasel p\u00e4eval.<\/p>\n

N\u00e4itus \u201eV\u00e4rvide ilu. Eesti kuldajastu kunst Enn Kunila kollektsioonist\u201c<\/a> on ERMis avatud kuni 2. oktoobrini 2022!<\/em><\/p>\n

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Eero Epner, n\u00e4ituse \u201eV\u00e4rvide ilu. Eesti kuldajastu kunst Enn Kunila kollektsioonist\u201c kuraator. 1938. aastal asetas 26-aastane Endel K\u00f5ks oma Tartu kesklinna ateljees \u00fcles suuremat sorti l\u00f5uendi ja asus maalima kodulinna. K\u00f5ks s\u00fcndis siinsamas Tartus kingsepa pojana, lidus ilmselt poisikesena m\u00f6\u00f6da linna ringi ja tundis iga nukakest. Ent sellest maalist pidi saama hoopis midagi pidulikku ja…<\/p>\n","protected":false},"author":1,"featured_media":15536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,1,7],"tags":[],"class_list":["post-15534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ajalooga-asjad","category-maaratlemata","category-naitus"],"yoast_head":"\nEndel K\u00f5ksi ja Gustav Raua elujaatus - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=15534\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Endel K\u00f5ksi ja Gustav Raua elujaatus - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Eero Epner, n\u00e4ituse \u201eV\u00e4rvide ilu. Eesti kuldajastu kunst Enn Kunila kollektsioonist\u201c kuraator. 1938. aastal asetas 26-aastane Endel K\u00f5ks oma Tartu kesklinna ateljees \u00fcles suuremat sorti l\u00f5uendi ja asus maalima kodulinna. K\u00f5ks s\u00fcndis siinsamas Tartus kingsepa pojana, lidus ilmselt poisikesena m\u00f6\u00f6da linna ringi ja tundis iga nukakest. 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Eesti kuldajastu kunst Enn Kunila kollektsioonist\u201c kuraator. 1938. aastal asetas 26-aastane Endel K\u00f5ks oma Tartu kesklinna ateljees \u00fcles suuremat sorti l\u00f5uendi ja asus maalima kodulinna. K\u00f5ks s\u00fcndis siinsamas Tartus kingsepa pojana, lidus ilmselt poisikesena m\u00f6\u00f6da linna ringi ja tundis iga nukakest. 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