{"id":15452,"date":"2022-02-17T10:00:33","date_gmt":"2022-02-17T08:00:33","guid":{"rendered":"https:\/\/blog.erm.ee\/?p=15452"},"modified":"2022-02-16T12:34:56","modified_gmt":"2022-02-16T10:34:56","slug":"miljard-kilk-ja-rembrandt-harmenszoon-van-rijn","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=15452","title":{"rendered":"Miljard Kilk ja Rembrandt Harmenszoon van Rijn"},"content":{"rendered":"
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Reet Mark, ERMi n\u00e4ituste peaprodutsent.<\/p>\n

ERMi galeriis saab maikuu alguseni vaadata ligi kuutk\u00fcmmet Miljard Kilgi maali. Siinses blogiloos keskendun aga kahele: \u00fcks neist kuulub tema tuntuimate teoste hulka ja teine, hilisema loomeperioodi pilt, on p\u00e4rit Viinistu kunstimuuseumi p\u00fcsiekspositsioonist.<\/p>\n

Moskva ol\u00fcmpiam\u00e4ngude ajal \u2013 aastal 1980 \u2013 maalis Kilk \u00fche oma tuntuima pildi, mille ametlik pealkiri on t\u00e4naseni \u201eK\u00f6\u00f6gis.\u201c Maal kujutab teda ennast Tartus Liivi t\u00e4naval asunud kodu k\u00f6\u00f6gis p\u00f5lvili vanaemalt kooki norimas. Vaataja jaoks, kes Miljard Kilki n\u00e4gupidi ei tea, v\u00f5ib see olla ka \u00f6iselt peolt hommikul koju j\u00f5udnud paha poiss v\u00f5i lapselaps, kes pole kaua aega endast elum\u00e4rki andnud ja palub n\u00fc\u00fcd andestust.<\/p>\n

Maali algne pealkiri oli aga \u201eKadunud poja tagasitulek\u201c. Tollal (n\u00f5ukogude ajal) polnud sellist pealkirja lubatud kasutada, sest see viitas otseselt piiblile, Luuka evangeeliumi 15. peat\u00fcki t\u00e4hendamiss\u00f5nadele. Pojale, kes \u201eoli surnud ja on j\u00e4lle saanud elavaks, oli kadunud ja taas leitud”. Kristlikus kunstis kajastati nii andestuse ja halastuse teema \u00fcht v\u00f5imalikku varianti.<\/p>\n

Tegelikult oligi Kilgi maali algt\u00f5ukeks peale kalli vanaema kookide veel Rembrandti sama pealkirjaga maal. Aastatel 1977\u201379 oli kunstnik s\u00f5jav\u00e4es Leningradi l\u00e4hedal Gorelovos, kust ta sai mitu korda linnaloa ajal Ermitaa\u017eis k\u00e4ia. Seal ta seda Rembrandti pilti n\u00e4gigi. Maalid pole muidugi \u00fcldse sarnased, Kilgi oma on pigem n-\u00f6 variatsioon etteantud teemal. Rembrandti pildil on peat\u00e4helepanu p\u00f6\u00f6ratud inimestele ja ruum, kus tegevus toimub, j\u00e4\u00e4b ebam\u00e4\u00e4raseks. Kilk on aga \u00fcmbrust oma maalil m\u00f5nuga ja v\u00e4ga t\u00e4pselt kujutanud, nagu ka siit alt pildilt n\u00e4ha saab. Samuti teeb tema n-\u00f6 kadunud poeg pigem koomuskit, kui kahetseb. Liigutav on aga n\u00e4ha, kuidas vaatamata k\u00f5ikidele muutustele on Kilgi pilti \u00fcle kandunud see kujutlematu \u00f5rnus, millega isa ja tema pildil siis vanaema oma kadunud last tervitavad. Kui p\u00f6\u00f6rata t\u00e4helepanu Kilgi kadunud poja seljas olevale triibulisele rebenenud vangis\u00e4rgile, lisandub veel \u00fcks \u00f5\u00f5vastav n\u00fcanss\u2026<\/p>\n

\"Miljard<\/a>

Miljard Kilk: K\u00f6\u00f6gis; 1980; T\u00dc Kunstimuuseum. Foto: Arp Karm<\/p><\/div>\n

\"\"<\/a>

Rembrandt Harmenszoon van Rijn: Kadunud poja tagasitulek; u 1669; Ermitaa\u017e.<\/p><\/div>\n

\"\"<\/a>

Vaade k\u00f6\u00f6kist, mis oli aluseks Miljardi Kilgi Rembrandti vihjelisele maalile. Foto: ERMi arhiiv<\/p><\/div>\n

\u00d5rnusest ja vanemlikust armastusest on juttu ka 2001. aastal maalitud pildil \u201eKuningad\u201c. See on juba hoopis teine loomingulaad, milleni Kilk j\u00f5udis 1990. aastate alguses. Slaidilik, realistlik kujutamisviis on asendunud muinasjutuh\u00f5ngulise fantaasiaga. Tema hilisloomingu \u00fcks omap\u00e4radest on see, et \u00fcksk\u00f5ik kui fantastilised olustik ja tegelased pildil ka ei oleks, toob mingi v\u00e4ike realistlik detail v\u00f5i tegelane vaataja tagasi t\u00e4nap\u00e4eva ehk p\u00e4ris maailma.<\/p>\n

Maali \u201eKuningad\u201c aluseks on taas piibellik s\u00fc\u017eee \u2013 see on lugu kolmest kuningast, kes tulevad messiat kummardama. Jeesuslast k\u00e4tel hoidva neitsi Maarja ja Maarjat embava p\u00fcha Anna (Maarja ema) modellideks on olnud kunstniku naine ja naise ema. Nende taustal k\u00f5rguv v\u00e4rav on p\u00e4rit Keila surnuaiast ja taamal paistev kirik on Keila kirik. Kolm kuningat, kes on tavaliselt heade kingituste toojad, on Kilgi pildil muundunud sarvilisteks monstrumiteks, kes veavad kingituseks hoopis surilina, millelt peegeldub t\u00e4iskasvanud Jeesuse n\u00e4gu.<\/p>\n

Maali raskuspunkt on koondunud kahele naisele. Noorem vaatab suure \u00f5rnusega oma v\u00e4ikest poega, vanem embab nooremat sooviga kaitsta teda ja last l\u00e4heneva \u00f5nnetuse eest. Ilus hingestatud pilt ema j\u00e4\u00e4vast armastusest.<\/p>\n

\"\"<\/a>

Miljard Kilk: Kuningad; 2001. Foto: Arp Karm<\/p><\/div>\n

Selliseid lugusid on n\u00e4itusel veel palju. Tulge vaatama ja pilte endale jaoks lahti m\u00f5testama. Koos kuraatoriga saab seda teha korra kuus, j\u00e4rgmine tuur on laup\u00e4eval, 19. veebruaril kell 11: https:\/\/www.erm.ee\/et\/kuraatortuur-naitusel-miljard-kilk.<\/a><\/p>\n

\n

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Reet Mark, ERMi n\u00e4ituste peaprodutsent. ERMi galeriis saab maikuu alguseni vaadata ligi kuutk\u00fcmmet Miljard Kilgi maali. Siinses blogiloos keskendun aga kahele: \u00fcks neist kuulub tema tuntuimate teoste hulka ja teine, hilisema loomeperioodi pilt, on p\u00e4rit Viinistu kunstimuuseumi p\u00fcsiekspositsioonist. Moskva ol\u00fcmpiam\u00e4ngude ajal \u2013 aastal 1980 \u2013 maalis Kilk \u00fche oma tuntuima pildi, mille ametlik pealkiri on…<\/p>\n","protected":false},"author":1,"featured_media":15459,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,7,19,17],"tags":[],"class_list":["post-15452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maaratlemata","category-naitus","category-sundmus","category-uus-maja"],"yoast_head":"\nMiljard Kilk ja Rembrandt Harmenszoon van Rijn - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=15452\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miljard Kilk ja Rembrandt Harmenszoon van Rijn - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Reet Mark, ERMi n\u00e4ituste peaprodutsent. 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