{"id":10261,"date":"2017-09-05T06:36:55","date_gmt":"2017-09-05T03:36:55","guid":{"rendered":"http:\/\/blog.erm.ee\/?p=10261"},"modified":"2017-09-05T06:36:55","modified_gmt":"2017-09-05T03:36:55","slug":"kolm-tundi-rahvaroiva-ilu","status":"publish","type":"post","link":"https:\/\/blog.erm.ee\/?p=10261","title":{"rendered":"Kolm tundi rahvar\u00f5iva ilu"},"content":{"rendered":"
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Aveli Asber, <\/em>Tartu \u00dclikooli Rahvakunstiansambli kunstiline juht<\/em><\/p>\n

Fotod: Berta Vosman<\/em><\/p>\n

P\u00e4ev enne ERMi suurele rahvar\u00f5ivaste n\u00e4itusele \u201eRahvar\u00f5ivas on norm. Igal aastaajal\u201c minemist p\u00fc\u00fcdsin enda jaoks selgeks m\u00f5elda, milliste ootustega ma n\u00e4itusele l\u00e4hen. Melanie Kaarma ja Aino Voolmaa rahvar\u00f5ivaste raamat on meil kogu aeg raamaturiiulis olnud ja olen seda juba \u00fcsna v\u00e4ikesest peale ikka korduvalt ja korduvalt vaadanud. Samuti m\u00e4letan raamatu vaatamisega alati kaasnevat soovi endale isiklik rahvar\u00f5ivakomplekt saada ja m\u00e4letan, et olen alati p\u00fc\u00fcdnud ka hinnata \u00fche v\u00f5i teise komplekti valmistamise keerukust. \u00dcks ootus n\u00e4itusele oligi kogu seda rikkust, mis muidu ERMi kogudes peidus, oma silmaga n\u00e4ha.<\/p>\n

Kuna ma igap\u00e4evaselt tegutsen rahvatantsu valdkonnas, kus rahvar\u00f5ivad on esinemiskost\u00fc\u00fcm ning v\u00e4ga palju p\u00f5nevaid komplekte on juba ERMi esemete j\u00e4rgi ka r\u00fchmad endile valmistanud, siis teine suur ootus n\u00e4itusele oli n\u00e4ha veel midagi \u00fcllatavat v\u00f5i p\u00f5nevat, mida ma tantsijatel veel seljas n\u00e4gema pole juhtunud.<\/p>\n

N\u00e4itus on \u00fcles seatud aastaaegade j\u00e4rgi ja nii nagu soovitatud, vaatasin minagi n\u00e4itust j\u00e4rjekorras s\u00fcgis, talv, kevad, suvi. Iga aastaaja kohta oli komplekte valitud erinevatest kihelkondadest. Panin endale meeldivaks \u00fcllatuseks t\u00e4hele, et tean v\u00e4ga paljude r\u00f5ivaste p\u00e4ritolu kihelkonda vaid komplektile peale vaadates, mis omakorda t\u00f5i meelde Viljandi Kultuurikolled\u017eis kost\u00fc\u00fcmiajaloo \u00f5ppeaine raames antud Eesti rahvar\u00f5ivaste ajaloo eksami, kus piltide j\u00e4rgi r\u00f5ivakomplektide p\u00e4ritolu vastuseks pidime kirjutama. M\u00f5ned p\u00e4evad peale n\u00e4itust avastasin endas ka veel sportliku huvi, mitu komplekti ma siis ikka kogu v\u00e4ljapanekust \u00f5igesse kihelkonda paigutaksin. K\u00fcllap v\u00f5tangi veelkord n\u00e4ituse k\u00fclastamise just sellise tunnikontrollilaadse eesm\u00e4rgiga plaani.<\/p>\n

Eesti Rahvar\u00f5ivad on nii mitmekesiste mustrite, l\u00f5igete, detailide ja v\u00e4rvidega, et \u00fcsna meelevaldne on nende hulgast m\u00f5ned \u00fcksikud esile tuua, aga siiski. Seadsin ju endale eesm\u00e4rgi kohata piltidelt tuttavaid lemmikuid ja leida uusi \u00fcllatajaid.<\/p>\n

K\u00f5ige levinumad on nii n\u00e4itust, kui ka tantsur\u00fchmade r\u00f5ivastust vaadates pikitriibulised, ning veidi harvem ka p\u00f5ikitriibulised v\u00f5i ruuduseelikud. Pikalt j\u00e4in imetlema R\u00e4pina naise ruudulist seelikut (19. saj keskpaik), mida olen pikka aega oma isiklikuks r\u00f5ivaks soovinud. R\u00e4pinas s\u00fcndinuna ja P\u00f5lvas kasvanuna oleks see ka minu p\u00e4ritoluga igati koosk\u00f5las, kuid on v\u00f5imalik, et minu soovi on hoopis rohkem kujundanud asjaolu, et just sellises seelikus tegin ma oma esimesed rahvatantsusammud algklassides.<\/p>\n

\"\"<\/a>Sangaste nooriku seelik. R\u00e4pina naise seelik. Kirbla naise seelik<\/em><\/p>\n

Silm j\u00e4\u00e4b aga pikemaks pidama keerulisema kudumistehnikaga seelikutel, kiritriipudega Sangaste nooriku seelikul (19. saj keskpaik) ja neotud l\u00f5ngadega Kirbla naise ristidega seelikul (20. saj algus). Kirbla seeliku kudumistehnika tundub Age Raudsepa kirjelduse j\u00e4rgi eriti keeruline, sest l\u00f5ngad m\u00f5\u00f5detakse v\u00e4lja, seotakse teatud kohtadest kinni ja v\u00e4rvitakse, nii et p\u00e4rast kududes ristid tekivad. K\u00fcllap just keeruka kudumistehnika t\u00f5ttu pole juhtunud ka tantsur\u00fchmadel sellised seelikud seljas n\u00e4gema.<\/p>\n

N\u00e4itusel m\u00e4rkasin mitmeid (ka triibu) seelikuid, kuhu oli \u00f5mmeldud ristipidine lappvolt. Kas oli tahetud seelikut selliselt l\u00fchemaks \u00f5mmelda, anda kaharust v\u00f5i oli see hoopis moe k\u00fcsimus – p\u00e4ris selgeks ei saanudki.<\/p>\n

Erinevate l\u00f5igete hulgast oli minu jaoks \u00fcllatav kaarekujuline l\u00f5ige K\u00e4rla naise p\u00f5lle all\u00e4\u00e4res (19. saj keskpaik) ning J\u00e4maja naise kampsuni seljat\u00fckil (19. saj keskpaik). J\u00e4maja naise kampsun tervikuna meeldis mulle sedav\u00f5rd, et loodetavasti juba varsti v\u00f5ite selliseid kampsuneid n\u00e4ha Tartu \u00dclikooli Rahvakunstiansambli tantsijate seljas kaunistamas meie olemasolevaid J\u00e4maja r\u00f5ivaid.<\/p>\n

\"\"<\/a>K\u00e4rla naise p\u00f5ll. J\u00e4maja naise kampsun. Simuna naise pikk-kuub<\/em><\/p>\n

V\u00e4ga huvitavad olid k\u00f5ik k\u00fclmemate ilmadega kantavad pikk-kuued ja samas ka suvised kerged r\u00fc\u00fcd. On ju need r\u00f5ivaosad, mida tantsur\u00fchmade hulgas kannavad aegajalt vaid mehed. Eriliselt j\u00e4i l\u00f5ike poolest meelde, aga Simuna naise pikk-kuub (19. saj keskpaik) l\u00e4bil\u00f5igatud v\u00f6\u00f6koha ja ka huvitava krael\u00f5ike poolest.<\/p>\n

Kui uhked, eriilmelised ja lausa suursugused on Eesti rahvar\u00f5ivaste kaunistused peab iga\u00fcks ise minema ja oma silmaga n\u00e4gema. Esmapilgul v\u00f5ib n\u00e4iteks Audru naise pikk-kuue all\u00e4\u00e4re l\u00f5hiku kaunistus (19. saj II pool) j\u00e4\u00e4da isegi kahe silma vahele, sest sarnaseid kaaruspaelast aasakesi on ka mujal kaunistuseks kasutatud, kuid minu t\u00e4helepanu k\u00f6itis see, et siin on aasakesed \u00f5mmeldud kolmnurga kujuliseks. Lausa baroksena m\u00f5jub Mustjala naise pitskrae (19. saj II pool) ja v\u00f5ib vaid ette kujutada sellele peenele n\u00e4put\u00f6\u00f6le kuluvat aega. T\u00f5eliselt \u00fclevoolavate kaunistuste meistrid on aga elanud ikka Muhu saarel, kust olgu pildina v\u00e4lja toodud naise r\u00f5ivastuse rinnaesine ja kasuka \u00e4\u00e4r (20. saj algus).<\/p>\n

\"\"<\/a>Mustjala naise pitskrae. Muhu naise rinnaesine ja kasuka \u00e4\u00e4r. Audru naise pikk-kuue all\u00e4\u00e4re l\u00f5hiku kaunistus<\/em><\/p>\n

Viimasel ajal on mind lummanud sinise ja valgega v\u00e4rvikombinatsioonid ja nii j\u00e4id ka n\u00e4itusel just v\u00e4rvide p\u00e4rast eriliselt silma Kihnu naise p\u00f5ll (19. saj I pool), Haljala neiu seelik (19. saj keskpaik) ja J\u00f5el\u00e4htme naise k\u00e4ised (19. saj algus).<\/p>\n

\"\"<\/a>J\u00f5el\u00e4htme naise k\u00e4ised. Haljala neiu seelik. Kihnu naise p\u00f5ll<\/em><\/p>\n

Mina veetsin n\u00e4itusel kolm suurep\u00e4rast tundi. Loomulikult saab ka kiiremini \u00fclevaate, aga kindlasti v\u00f5ib seal ka tundide viisi kauem aega veeta. Minuga samal ajal n\u00e4itusele sisenenud kaks toredat prouat j\u00e4id minust maha kohe sissek\u00e4igu juures seisva Mustjala naise komplekti juures, kus nad v\u00e4ga elavalt arutlesid kuidas \u00fchte v\u00f5i teist r\u00f5ivaosa kanti v\u00f5i valmistati. Eks nii ongi, et iga\u00fcks leiab n\u00e4ituselt endale meelep\u00e4rase ja mina oskan n\u00fc\u00fcd l\u00f5petuseks veel vaid v\u00e4lja tuua oma kolm lemmikut. Need on v\u00e4ga kaunite nahksete kaunistustega kasukas ja karvases talvem\u00fctsis T\u00f5stamaa naine (19. saj II pool). Juba eespool kiitust saanud J\u00e4maja naine (19. saj l\u00f5pp) ja p\u00e4ris l\u00f5petuseks ka \u00fcks uhke Viru-Jaagupi mees (19. saj keskpaik).<\/p>\n

\"\"<\/a>T\u00f5stamaa naine<\/em><\/p>\n

\"\"<\/a>J\u00e4maja naine<\/em><\/p>\n

\"\"<\/a>Viru-Jaagupi mees<\/em><\/p>\n

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Aveli Asber, Tartu \u00dclikooli Rahvakunstiansambli kunstiline juht Fotod: Berta Vosman P\u00e4ev enne ERMi suurele rahvar\u00f5ivaste n\u00e4itusele \u201eRahvar\u00f5ivas on norm. Igal aastaajal\u201c minemist p\u00fc\u00fcdsin enda jaoks selgeks m\u00f5elda, milliste ootustega ma n\u00e4itusele l\u00e4hen. Melanie Kaarma ja Aino Voolmaa rahvar\u00f5ivaste raamat on meil kogu aeg raamaturiiulis olnud ja olen seda juba \u00fcsna v\u00e4ikesest peale ikka korduvalt ja…<\/p>\n","protected":false},"author":1,"featured_media":10270,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-10261","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naitus"],"yoast_head":"\nKolm tundi rahvar\u00f5iva ilu - Eesti Rahva Muuseumi ajaveeb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.erm.ee\/?p=10261\" \/>\n<meta property=\"og:locale\" content=\"et_EE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kolm tundi rahvar\u00f5iva ilu - Eesti Rahva Muuseumi ajaveeb\" \/>\n<meta property=\"og:description\" content=\"Aveli Asber, Tartu \u00dclikooli Rahvakunstiansambli kunstiline juht Fotod: Berta Vosman P\u00e4ev enne ERMi suurele rahvar\u00f5ivaste n\u00e4itusele \u201eRahvar\u00f5ivas on norm. Igal aastaajal\u201c minemist p\u00fc\u00fcdsin enda jaoks selgeks m\u00f5elda, milliste ootustega ma n\u00e4itusele l\u00e4hen. 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